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1. | | Title: ABC of influence: Ezra Pound and the remaking of American poetic tradition Author: Beach, Christopher Published: University of California Press, 1992 Subjects: Literature | Literary Theory and Criticism | Poetry | American Studies | American LiteraturePublisher's Description: In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the "canon" of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist experiments of the 1910s and 1920s. The work of these poets has served as a counterforce to the established traditions of the "American Sublime" and the Anglo-American formalism represented by T. S. Eliot and the New Criticism. ABC of Influence challenges previous discussions of poetic influence, particularly Harold Bloom's oedipal theory of revisionist "misreading," as insufficient for understanding the influence Pound's modernist practice and his relationship to poetic tradition had in defining the postmodernist poetics of Olson, Duncan, and other postwar American writers. The relation of these poets is most clearly seen on a formal level, but it is also evident in thematic elements of their work and in their stance toward poetic convention, the "canon," political and social engagement, and the inclusion of historical and other nonpoetic materials in the poetic text.This book makes a significant contribution to the study of modern American poetry by exploring modernism's legacy and charting new canonical possibilities in American literature. In reading Pound through the works of later poets, it also provides important new insights into Pound's own work and ideas. [brief]Similar Items | 2. | | Title: Acting naturally: Mark Twain in the culture of performance Author: Knoper, Randall K 1953- Published: University of California Press, 1995 Subjects: Literature | American Literature | Literary Theory and Criticism | Twain | American StudiesPublisher's Description: The phenomenon of performance is central to Mark Twain's writing and persona. But Twain's performative aspects have usually been dismissed as theatrical and discounted as lowbrow burlesque. Randall Knoper takes Twain's theatricality seriously and shows how Twain's work both echoes and engages the social and cultural problems embodied in nineteenth-century popular entertainments.Knoper draws on theater history, theories of acting and bodily expression, psychology and physiology, scientific accounts of spiritualism, and commercial spectacles to demonstrate Twain's use of "acting" and the "natural" in his creative explorations. This book enlarges our understanding of Mark Twain - the artist and the man - and also provides a window into a culture whose entertainments registered the sexual, racial, economic, and scientific forces that were transforming it. [brief]Similar Items | 3. | | Title: Almost chosen people: oblique biographies in the American grainAuthor: Zuckerman, Michael 1939- Published: University of California Press, 1993 Subjects: History | Politics | United States History | American Literature | American StudiesPublisher's Description: Few historians are bold enough to go after America's sacred cows in their very own pastures. But Michael Zuckerman is no ordinary historian, and this collection of his essays is no ordinary book.In his effort to remake the meaning of the American tradition, Zuckerman takes the entire sweep of American history for his province. The essays in this collection, including two never before published and a new autobiographical introduction, range from early New England settlements to the hallowed corridors of modern Washington. Among his subjects are Puritans and Southern gentry, Benjamin Franklin and Benjamin Spock, P. T. Barnum and Ronald Reagan. Collecting scammers and scoundrels, racists and rebels, as well as the purest genius, he writes to capture the unadorned American character.Recognized for his energy, eloquence, and iconoclasm, Zuckerman is known for provoking - and sometimes almost seducing - historians into rethinking their most cherished assumptions about the American past. Now his many fans, and readers of every persuasion, can newly appreciate the distinctive talents of one of America's most powerful social critics. [brief]Similar Items | 4. | | Title: American literary realism and the failed promise of contract Author: Thomas, Brook Published: University of California Press, 1997 Subjects: Literature | American Literature | American Studies | Law | United States HistoryPublisher's Description: In law, the late nineteenth century is often called the Age of Contract; in literature, the Age of Realism. Brook Thomas's new book brings contract and realism together to offer groundbreaking insights into both while exploring the social and cultural crises that accompanied America's transition from industrial capitalism to the corporate capitalism of the twentieth century.Thomas argues that, radically conceived, contract promised to generate an equitable social order - one organized around interpersonal exchange rather than conformity to a transcendental standard. But as the idea of contract took center stage in American culture after the Civil War, the law failed to deliver on this promise, instead legitimating hierarchies of race, class, and gender. Moving expertly from legal analysis to social history, to profoundly recontextualized literary critique, Thomas shows how writers like Twain, James, Howells, and Chopin took up contract as a model, formally and thematically, evoking its possibilities and dramatizing its failures.Thomas investigates a host of issues at the forefront of public debate in the nineteenth century: race and the meaning of equality, miscegenation, marriage, labor unrest, economic transformation, and changes in notions of human agency and subjectivity. Cross-examining a wide range of key literary and legal texts, he rethinks the ways they relate to each other and to their social milieu.As recent political rhetoric demonstrates, the promise of contract is still very much alive. American Literary Realism and the Failed Promise of Contract challenges conventional critical wisdom and makes a broad, provocative, and nuanced contribution to legal and literary studies, as well as to intellectual and social history. It promises to revise and enrich our understanding of American culture, law, and letters. [brief]Similar Items | 5. | | Title: American sensations: class, empire, and the production of popular culture Author: Streeby, Shelley 1963- Published: University of California Press, 2002 Subjects: American Studies | American Literature | Californian and Western History | Popular CulturePublisher's Description: This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States. [brief]Similar Items | 6. | | Title: The blood of strangers: stories from emergency medicineAuthor: Huyler, Frank 1964- Published: University of California Press, 1999 Subjects: Medicine | American Literature | AutobiographyPublisher's Description: Reminiscent of Chekhov's stories, The Blood of Strangers is a visceral portrayal of a physician's encounters with the highly charged world of an emergency room. In this collection of spare and elegant stories, Dr. Frank Huyler reveals a side of medicine where small moments - the intricacy of suturing a facial wound, the bath a patient receives from her husband and daughter - interweave with the lives and deaths of the desperately sick and injured. The author presents an array of fascinating characters, both patients and doctors - a neurosurgeon who practices witchcraft, a trauma surgeon who unexpectedly commits suicide, a wounded murderer, a man chased across the New Mexico desert by a heat-seeking missile. At times surreal, at times lyrical, at times brutal and terrifying, The Blood of Strangers is a literary work that emerges from one of the most dramatic specialties of modern medicine. This deeply affecting first book has been described by one early reader as "the best doctor collection I have seen since William Carlos Williams's The Doctor Stories ." [brief]Similar Items | 7. | | Title: Cold War orientalism: Asia in the middlebrow imagination, 1945-1961Author: Klein, Christina 1963- Published: University of California Press, 2003 Subjects: American Studies | United States History | American Literature | Asian American Studies | Asian StudiesPublisher's Description: In the years following World War II, American writers and artists produced a steady stream of popular stories about Americans living, working, and traveling in Asia and the Pacific. Meanwhile the U.S., competing with the Soviet Union for global power, extended its reach into Asia to an unprecedented degree. This book reveals that these trends - the proliferation of Orientalist culture and the expansion of U.S. power - were linked in complex and surprising ways. While most cultural historians of the Cold War have focused on the culture of containment, Christina Klein reads the postwar period as one of international economic and political integration - a distinct chapter in the process of U.S.-led globalization. Through her analysis of a wide range of texts and cultural phenomena - including Rodgers and Hammerstein's South Pacific and The King and I, James Michener's travel essays and novel Hawaii, and Eisenhower's People-to-People Program - Klein shows how U.S. policy makers, together with middlebrow artists, writers, and intellectuals, created a culture of global integration that represented the growth of U.S. power in Asia as the forging of emotionally satisfying bonds between Americans and Asians. Her book enlarges Edward Said's notion of Orientalism in order to bring to light a cultural narrative about both domestic and international integration that still resonates today. [brief]Similar Items | 8. | | Title: Collected proseAuthor: Olson, Charles 1910-1970 Published: University of California Press, 1997 Subjects: Literature | Literary Theory and Criticism | American Literature | Poetry | Literature | Literary Theory and Criticism | American Literature | PoetryPublisher's Description: The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse.The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael , a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction. [brief]Similar Items | 9. | | Title: Dangerous intimacy: the untold story of Mark Twain's final years Author: Lystra, Karen Published: University of California Press, 2004 Subjects: Literature | Autobiographies and Biographies | Twain | American Literature | American StudiesPublisher's Description: The last phase of Mark Twain's life is sadly familiar: Crippled by losses and tragedies, America's greatest humorist sank into a deep and bitter depression. It is also wrong. This book recovers Twain's final years as they really were - lived in the shadow of deception and prejudice, but also in the light of the author's unflagging energy and enthusiasm. Dangerous Intimacy relates the story of how, shortly after his wife's death in 1904, Twain basked in the attentions of Isabel Lyon, his flirtatious - and calculating - secretary. Lyon desperately wanted to marry her boss, who was almost thirty years her senior. She managed to exile Twain's youngest daughter, Jean, who had epilepsy. With the help of Twain's assistant, Ralph Ashcroft, who fraudulently acquired power of attorney over the author's finances, Lyon nearly succeeded in assuming complete control over Twain's life and estate. Fortunately, Twain recognized the plot being woven around him just in time. So rife with twists and turns as to defy belief, the story nonetheless comes to undeniable, vibrant life in the letters and diaries of those who witnessed it firsthand: Katy the housekeeper, Jean, Lyon, and others whose own distinctive, perceptive, often amusing voices take us straight into the heart of the Clemens household. Just as Twain extricated himself from the lies, prejudice, and self-delusion that almost turned him into an American Lear, so Karen Lystra liberates the author's last decade from a century of popular misunderstanding. In this gripping book we at last see how, late in life, this American icon discovered a deep kinship with his youngest child and continued to explore the precarious balance of love and pain that is one of the trademarks of his work. [brief]Similar Items | 10. | | Title: Dearest beloved: the Hawthornes and the making of the middle-class family Author: Herbert, T. Walter (Thomas Walter) 1938- Published: University of California Press, 1993 Subjects: Literature | American Literature | Literary Theory and Criticism | Women's Studies | Men and Masculinity | Autobiographies and Biographies | American Studies | United States HistoryPublisher's Description: The marriage of Nathaniel and Sophia Hawthorne - for their contemporaries a model of true love and married happiness - was also a scene of revulsion and combat. T. Walter Herbert reveals the tragic conflicts beneath the Hawthorne's ideal of domestic fulfillment and shows how their marriage reflected the tensions within nineteenth-century society. In so doing, he sheds new light on Hawthorne's fiction, with its obsessive themes of guilt and grief, balked feminism and homosexual seduction, adultery, patricide, and incest. [brief]Similar Items | 11. | | Title: Domestic individualism: imagining self in nineteenth-century AmericaAuthor: Brown, Gillian Published: University of California Press, 1992 Subjects: Literature | Literary Theory and Criticism | American Literature | Gender Studies | United States History | American StudiesPublisher's Description: Gillian Brown's book probes the key relationship between domestic ideology and formulations of the self in nineteenth-century America. Arguing that domesticity institutes gender, class, and racial distinctions that govern masculine as well as feminine identity, Brown brilliantly alters, for literary critics, feminists, and cultural historians, the critical perspective from which nineteenth-century American literature and culture have been viewed.In this study of the domestic constitution of individualism, Brown traces how the values of interiority, order, privacy, and enclosure associated with the American home come to define selfhood in general. By analyzing writings by Stowe, Hawthorne, Melville, Fern, and Gilman, and by examining other contemporary cultural modes - abolitionism, consumerism, architecture, interior decorating, motherhood, mesmerism, hysteria, and agoraphobia - she reconfigures the parameters of both domesticity and the patterns of self it fashions. Unfolding a representational history of the domestic, Brown's work offers striking new readings of the literary texts as well as of the cultural contexts that they embody. [brief]Similar Items | 12. | | Title: Dwelling in the text: houses in American fiction Author: Chandler, Marilyn R Published: University of California Press, 1991 Subjects: Literature | American LiteraturePublisher's Description: What is a house? And what can architecture tell us about individual psychology, national character and aspiration? The house holds a central place in American mythology, as Marilyn Chandler demonstrates in a series of "house tours" through American novels, beginning with Thoreau's Walden and ending with Toni Morrison's Beloved and Marilynne Robinson's Housekeeping .Chandler illuminates the complex analogies between house and psyche, house and family, house and social environment, and house and text. She traces a historical path from settlement to unsettledness in American culture and explores all the rituals in between: of building, decorating, inhabiting, and abandoning houses. She notes the ambivalence between our desire for rootedness and our romanticization of wide open spaces, relating these poles to the tension between materialism and spirituality in our national character.At a time when housing has become a problem of unprecedented dimensions in America, this look at the place of houses and homes in the American imagination reveals some sources of the attitudes, assumptions, and expectations that underlie the designing and building of the homes we buy, sell, and dream about. [brief]Similar Items | 13. | | | 14. | | Title: The erotic Whitman Author: Pollak, Vivian R Published: University of California Press, 2000 Subjects: Literature | American Studies | Gender Studies | American Literature | Literary Theory and CriticismPublisher's Description: In this provocative analysis of Whitman's exemplary quest for happiness, Vivian Pollak skillfully explores the intimate relationships that contributed to his portrayal of masculinity in crisis. She maintains that in representing himself as a characteristic nineteenth-century American and in proposing to heal national ills, Whitman was trying to temper his own inner conflicts as well. The poet's expansive vision of natural eroticism and of unfettered comradeship between democratic equals was, however, only part of the story. As Whitman waged a conscious campaign to challenge misogynistic and homophobic literary codes, he promoted a raceless, classless ideal of sexual democracy that theoretically equalized all varieties of desire and resisted none. Pollak suggests that this goal remains imperfectly achieved in his writings, which liberates some forbidden voices and silences others. Integrating biography and criticism, Pollak employs a loosely chronological organization to describe the poet's multifaceted "faith in sex." Drawing on his early fiction, journalism, poetry, and self-reviews, as well as letters and notebook entries, she shows how in spite of his personal ambivalence about sustained erotic intimacy, Whitman came to imagine himself as "the phallic choice of America." [brief]Similar Items | 15. | | Title: Ethnocriticism: ethnography, history, literature Author: Krupat, Arnold Published: University of California Press, 1992 Subjects: Literature | Anthropology | American Literature | Literary Theory and Criticism | Native American StudiesPublisher's Description: Ethnocriticism moves cultural critique to the boundaries that exist between cultures. The boundary traversed in Krupat's dexterous new book is the contested line between native and mainstream American literatures and cultures.For over a century the discourses of ethnography, history, and literature have sought to represent the Indian in America. Krupat considers all these discourses and the ways in which Indians have attempted to "write back," producing an oppositional - or at least a parallel - discourse. [brief]Similar Items | 16. | | Title: Fathering the nation: American genealogies of slavery and freedom Author: Castronovo, Russ 1965- Published: University of California Press, 1996 Subjects: Literature | American Literature | Literary Theory and Criticism | American Studies | Postcolonial StudiesPublisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion. [brief]Similar Items | 17. | | Title: Female subjects in black and white: race, psychoanalysis, feminismAuthor: Abel, Elizabeth Published: University of California Press, 1997 Subjects: Literature | African American Studies | Gender Studies | Literary Theory and Criticism | American Literature | GayLesbian and Bisexual StudiesPublisher's Description: This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities - as well as the transformative possibilities - between white feminist and African American cultural formations.Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism. [brief]Similar Items | 18. | | Title: Fifteen jugglers, five believers: literary politics and the poetics of American social movements Author: Reed, T. V. (Thomas Vernon) Published: University of California Press, 1992 Subjects: Literature | American Literature | Literary Theory and CriticismPublisher's Description: T.V. Reed urges an affiliation between literary theory and political action - and between political action and literary theory. What can the "new literary theory" learn from "new social movements"; and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?In strikingly new interpretations of texts in four different genres - Agee and Evans's Let Us Now Praise Famous Men , Ellison's Invisible Man, Mailer's Armies of the Night , and the ecofeminist Women's Pentagon Actions of the early 1980s - Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality. [brief]Similar Items | 19. | | Title: Getting to be Mark Twain Author: Steinbrink, Jeffrey Published: University of California Press, 1991 Subjects: Literature | American Literature | Literary Theory and CriticismPublisher's Description: Mark Twain is one of our most accessible cultural icons, a figure familiar to virtually every American and renowned internationally. But he was not always as we know him today. Mark Twain began life as a loose gathering of postures, attitudes, and voices in the mind of Samuel Clemens. It was some time before he took full possession of the personality the world now recognizes.This is the story of the coming of age of Mark Twain. It begins in 1867, with Clemens stepping off the steamship Quaker City and almost immediately declaring himself "in a fidget to move." It comes to a close in 1871, with Clemens settling in Hartford. Mark Twain was substantially formed during the intervening years, as Clemens came East, gained fame and fortune with the publication of Innocents Abroad , courted and married Olivia Langdon, and established himself as a professional writer. Each of these steps represented a profound change in the former Wild Humorist of the Pacific Slope as he sifted through the elements in his personality and began to assume the qualities we now associate with him. The tale that unfolds here shows how, through that process, the Mark Twain of the late 1860s became the Mark Twain of all time. [brief]Similar Items | 20. | | Title: The gold standard and the logic of naturalism: American literature at the turn of the centuryAuthor: Michaels, Walter Benn Published: University of California Press, 1987 Subjects: Literature | American LiteraturePublisher's Description: The Gold Standard and the Logic of Naturalism discusses ways of creating value in turn-of-the-century American capitalism. Focusing on such topics as the alienation of property, the invention of masochism, and the battle over free silver, it examines the participation of cultural forms in these phenomena. It imagines a literary history that must at the same time be social, economic, and legal; and it imagines a literature that, to be understood at all, must be understood both as a producer and a product of market capitalism. [brief]Similar Items |
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